Every week, Infinity Assistant Director, Mariel Marshall writes us a diary entry of her experience in the rehearsal hall. If you haven't already, start at the beginning by scrolling down to Dear Diary: Preparing for Infinity Rehearsals.
Here's what Mariel has to say about the final week of rehearsal, now in the theatre:
This week, we moved into the Tarragon Extraspace. It is also TECH week, which is an exciting time because all of the elements, the set, lights, costumes and props, finally come together. It’s really the first time we get to see how things speak to each other; how the costumes look against the backdrop of the set, how the lights reflect against the painted floor, how the actors sound in the space. These elements, which we have been working with individually, and imagining from drawings and models, finally take shape.
|Director: Ross Manson|
The set appears to shift your perception. The stage is painted all white with lines vanishing across the width of it like blurred stars in the cosmos. It’s quite beautiful, especially with Rebecca Picherack’s incredible lighting design, which makes it appear like an ever-shifting world of colour and shadows. The really exciting thing is that the set works like a scrim which allows us to light actors from behind the material – and they appear like ghosts through the semi-transparent material.
It’s been a really fast and exciting rehearsal process, and our technical dress rehearsal on Sunday went very well. The work is definitely ready for an audience this week and I can’t wait to see how people respond to the work, and how the actors, in turn, grow and feed-off of an audience.